Biopolitics activated

sound and vision from the edge of philosophy and machine

WHEN MACHINES DREAM IN BIOPOLITICS

Biopolitics is an AI concept album consisting of 15 tracks, weaving together experimental electronics and alternative pop structures. The lyrics navigate themes of surveillance, digitized sexuality, cloud capital and identity erosion — each track functioning as a narrative fragment within a larger philosophical system. This is post-genre songwriting shaped by machine logic and human doubt.

But Biopolitics is more than sound — it's a visual artefact. A cinematic album designed not just for headphones, but for projection spaces, galleries, and high-fidelity environments. These works demand scale: large screens, immersive sound systems, and attentive presence. This is audio-visual media for aesthetes, audiophiles, and thinking listeners — art made to be experienced, not consumed.

POST-CINEMA FOR A POST-HUMAN AGE

Ten visual chapters.
One audiovisual narrative of power, fracture and the algorithmic gaze.
Created with AI and cinematic language, these works are designed for deep screens, dark rooms, and slow attention.

VISUAL ARCHIVE

Fragments from the hybrid collapse system.

Three futuristic humanoid robots with dark, glossy helmets in a dimly lit environment.
Futuristic red sports car with four humanoid figures in black glossy suits in a dimly lit industrial setting
Abstract 3D rendering of a human figure wearing a virtual reality headset. The figure's surface is covered in intricate digital circuitry patterns.
A futuristic robotic figure made of shiny black material standing amidst flying dollar bills and debris in an urban setting.

Hybrid Collapse is not merely about sound — it is an intricate visual system as well. This gallery presents a diverse collection of fragments that showcase our continuously evolving AI-generated aesthetic: synthetic bodies, algorithmic rituals, and speculative futures all intertwine. Visual AI art serves as a fundamental component of the Hybrid Collapse project, functioning simultaneously as both a companion and a counterpoint to the accompanying music.

Conceived as an expanded artwork experience, Hybrid Collapse is thoughtfully designed for various exhibition contexts — ranging from traditional gallery screenings to immersive installations that invite deep interaction. Each individual piece carries significant conceptual weight: they are not mere illustrations, but rather philosophical provocations carefully rendered in code. The work delves into the rich visual language of control, identity erosion, posthuman intimacy, and the notion of digital transcendence.

Through this innovative hybrid media, we aim to popularize and engage with critical biopolitical questions — spanning topics from algorithmic governance to the ongoing commodification of the body — translating the influential writings of thinkers like Agamben, Preciado, Haraway, and others into visceral and thought-provoking aesthetic forms. This is biopolitics expressed through alternative means — refracted and reshaped through neural networks alongside cinematic imagination.

Group of futuristic robots with red glowing eyes and sleek helmets in a dimly lit environment.
Young woman with long hair leaning against a concrete wall, looking at the camera with a serious expression, wearing a light pink and white lace dress. Part of an armored figure is visible in the foreground.
Group wearing shiny black latex suits and masks with red eye makeup.

PHILOSOPHICAL SIGNALS

Hybrid Collapse operates not only through music and image, but through critical reflection. Each audiovisual piece is accompanied by philosophical signals — essays that decode, expand and contextualize the themes behind the work.

These texts engage with contemporary issues such as biopolitical control, algorithmic intimacy, digital sexuality, and the aesthetics of collapse. Drawing on thinkers like Foucault, Preciado, Haraway and Virilio, we translate theory into affective language and accessible media.

The essays are not academic. They are cultural transmissions — written to provoke thought, open dialogue, and rewire how we understand identity, desire and power in an increasingly synthetic world.

Designed for thinkers.